Ever forward gary simmons artsy9/4/2023 Simmons grappled with how to respond to the lobby - its foot traffic, ambient noise and other distractions. The murals here, seemingly simplistic, address pop culture as well as issues of race, class and the fragmented, fleeting nature of memory.Ī flickering shard of sunlight cuts across the lobby and, as if at the start of a 1920s movie cast from a rickety projector, the text on the murals seems almost kinetic. By hand-smudging and sculpting wet paint, he creates the shimmering effect of partly erased chalk. For his first Los Angeles museum show and in one of his largest installations to date, Simmons has employed his signature “erasure technique,” as he calls it, which he’s honed for more than two decades and has shown at New York’s Museum of Modern Art and the Whitney Museum of American Art, among other institutions. The installation is Gary Simmons’ “Fade to Black,” opening Wednesday, in which the artist conjures the spirits of under-recognized or long-forgotten African American actors. They haunt its lobby atrium, which is airy and still, bleached out from sunlight seeping in through a canopy of skylights onto stark white walls.įive soaring murals pop against this blinding palette, jet-black chalkboard surfaces bearing the hand-drawn titles of silent and early talkie films: “The Birth of a Nation,” “Hi De Ho,” “Check and Double Check.” The white text is blurry and fading, as if just on the brink of erasure - ephemeral messages, ghost-like themselves. The California African American Museum is teeming with ghosts.
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